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| photo: Le style et la matière |
There was some grumbling when we arrived there. We had missed the last guided tour before lunch time closure and would have to wait until the chateau reopened. We were told we could visit the grounds and have a snack while we waited. No 'proper meal.' It wasn't worth it to leave, so we would have to wait. Suddenly the architecture's somewhat clumsy appearance was magnified. Our timing frustrations and growling stomachs made a monster loom before us.
photo: wikipedia
What are those portly medieval towers doing weighing down that Renaissance structure?
I have to show a Wikipedia photo to give the full effect. My own weren't taken straight-on and as often with 3/4 views, are all more flattering.
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I do have to say, I have a wonderful husband -- yes, he's just about perfect ----------
except when he hasn't eaten en temps et en heure.
It is in those moments that the glass is clearly half empty.
He did accept to wait it out until the next visit, but not quietly.
What could I say? The facade was imbalanced and squeezed uncomfortably beween its towers like a girdled giant; I still wanted to get inside.
except when he hasn't eaten en temps et en heure.
It is in those moments that the glass is clearly half empty.
He did accept to wait it out until the next visit, but not quietly.
What could I say? The facade was imbalanced and squeezed uncomfortably beween its towers like a girdled giant; I still wanted to get inside.
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| photo: Le style et la matière |
The Chateau park was was pleasant, however, bathed in beautiful Loire Valley light. We flew by the stables, then had most fun going through the dimly lit under belly of the property in long, damp subterranean passages. The 237 meter underground canal was created in the 19th century to avoid the flooding dangers from the river Aubance.
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| photo: Le style et la matière |
Somehow, we didn't really approach the front of the building itself until we had finished some patisseries and café, then finally, the guide rang the bell for us to assemble for our tour.
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| photo: Le style et la matière |
It was then we saw that it wasn't a continuous structure, nor a chateau with successive building stages such as the 15th century wing and the 16th century facade. We're used to that. No, up close we realized that the Renaissance building was cradled by the two very resistant medieval towers that someone along the way had refused to demolish. Towers are the very symbol of a chateau fort and these were not to be relinquished. Or so one supposes. They were kept surely as a reminder of the ancient fiefdom, indicating the venerable nobility of the Cossé family, Dukes of Brissac.
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| photo: Le style et la matière |
The guide, excellent and entertaining, did not expound on the tower subject, but spoke of the main construction periods. The original château-fort was built in the 11th century, was enlarged in the 16th by René de Cossé. The edifice has belonged to the Cossé-Brissac family since 1502. Badly dammaged during the wars of religion, it's reconstruction was undertaken in the beginning of the 17th century by Charles de Cossé. His intention was to build a perfectly symmetrical façade with a higher, larger central section and in time - or so it was explained - to tear down the two medieval towers. This work was interupted when Charles de Cossé died in 1621 and never was taken up again. We see the chateau today as it was left. Why he would have built with the hinderance of the two standing towers is a real mystery to me. I'd like to think that one day some juicy tale will be unearthed about it.
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| photo: Le style et la matière |
Take note: Chateau de Brissac is to this day a privately owned chateau where live the 13th Duke of Brissac and his family. With seven stories, it is known as the tallest chateau in France. It is interesting for its continuous family history and connections with Louis XIII and Marie de Medicis, beautiful for its interiors and painted ceilings, and endearing for its wonderfully wacky towers. Because, what was considered flagrantly flawed just a few short hours before, had since our visit taken on another aspect. Like a broken nose in a classical face, Brissac's towers make it distinctive -- better than beautiful.
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| photo: Le style et la matière |
gallery of the uppermost floor
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| photo: Le style et la matière |
View from the corner window
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| photo: Le style et la matière |
