Room for Catherine de Medicis at Chenonceau

A few steps away,

the passage of Catherine de Medicis at Chenonceau...

Education of Cupid by Correggio

is commemorated in this room on the second story of the chateau.
Supremely intelligent, patient Catherine had her way with things after the death of husband, Henri II. Catherine rid the place of mistress Diane de Poitiers, reclaiming at the same time the crown jewels. No more was she the tolerant spouse. As mother to three kings, she was the veritable ruler for approximately 30 years.

With her 'diabolical Florintine ambition', she brought Chenonceau to the height of its glory, further developing its architecture, decoration, gardens, vineyards, land revenues, even creating its own silk production - and all this in the midst of the turbulence of the Wars of Religions. She was, after all, the daughter of Lorenzo the Magnificent.  She was a builder and had many projects, but Chenonceau was her residence of choice, where no blood had stained its stones.

If Catherine became more austere in her mise after Henri's death, according to Benedetta Craveri, it was to better project an image of majesty for the political role she had determined for herself. Since her authority was derived from her state as a widow and mother, she forced respect by permiting herself no feminine vanity.  Nothing was left to chance.

Seen through the window is the gallery designed by Jean Bullant that Catherine had built to top, literally and figuratively,  Diane's bridge. 

Both it and the surrounding gardens were to become the sites for spectacular celebrations. 

Catherine gave one of the most memorable of fetes here on the 15th of May 1577 in honor of two of her sons, Henri III and the Duc of Anjou. It seems that the party had ambiguity for theme, since the men dressed as women and the women as men, if dressed at all. Performers of the commedia dell’arte were brought in from Venice and performed among the revelers. A chronicler at the time reported that "at first glance everyone was perplexed, 

not knowing whether there stood before them a woman king or a man queen."

The abbey Chevalier wrote in his Histoire abregé de Chenonceau,

"It has never been involved with sad political events,  no, everything about it speaks only of art, beauty, festivities, 
and pleasures."


further reading: Chenonceau by Jean-Pierre Babelon

Ladies' Choice: Chateau de Chenonceau

photo: château de Chenonceau

The most visited chateau in France following the chateau of Versailles is a Renaissance

chef d'oeuvre that stands firmly with its feet planted in the River Cher.

One of a garland of Loire Valley castellar beauties, it belongs now to the

Menier family and has had many illustrious proprietors. A bit of trivia: for a period of 22 years, it was the property of Emilio Terry, father of the reknowned decorator.

all photos: Le style et la matière

 Chenonceau is most known for the influential women who held sway there,

giving it the sobriquet of  le Château des Dames.

The construction of this nearly square structure was started  in 1514 on the site of a medieval fortified castle by the the Bohains, an ennobled merchant family of nearby Tours. Looking at the top photo you can notice a round tower, the Tour de Marques, all that remains of the medieval architecture. 

 The initials B-T-K and arms of Thomas Bohain and his wife Katherine Briçonnet are found in many rooms on doors and ceilings within these walls, despite the any transformations made with the successive centuries. As financial minister, Thomas Bohain was often absent on expeditions for the king during the construction of the chateau, leaving building supervision entirely in the hands of his wife. He died two years after its completion.

Catherine Briçonnet was Dame numéro 1. 

Over this interieur oak door showing the arms of Briçonnet (left) and

Bohain (right) we  find the family motto:

 S'il vient à point, me souviendra -

If built,  I shall be remembered.

The scuttling of many feet over the centuries has taken its toll on the Majolica floor.

Vestiges of its decoration are visible only around the edges of the Guard's room.

Gothic and Renaissance chests that once contained tapestries, silverware, and other necessities

now remain static, but signal the ancient mode of the nobleman's itinerant life.

 

bed chamber of Francois I

 This portrait of Diane de Poitiers as Diane the Huntress was painted at Chenonceau in 1556 by 

 Primaticcio, of  the Fontainebleau school.  Flowers from the parc grounds are arranged with talent and brighten every room

- the château comes alive with this welcome sign to its visitors.

Bohain might have been pleased to know that his home was fit for a King. Francois I approved of the appealing chateau and succeeded the Bohain family as its owner.  

Henri II, son of Francois I, more than approved of  his father's favorite, Diane.

Upon the death of Francois I, this beauté eternelle  became the new King's favorite. 

Henri II was 20 years her junior. Her influence over the king is legendary.

He gave Chenonceau as a gift to Diane, making her Dame numéro 2

Rich pattern is everywhere set off by the impression of space and symmetry.

One of the most beautiful mantels in the chateau 

contains three baldachins, today minus their original statues.

This 16th century Italian cabinet incrusted with mother-of-pearl and engraved ivory was a

wedding gift to Francois II and Marie Stuart.

Click on the photo to admire here its

ornate cariatides: female-?-?-male.

bed chamber of Diane de Poitiers

Diane was as clever as she was beautiful and had great authority in politics and arts and architecture.

It was her idea to extend the chateau with a bridge over the river designed by Philibert de l'Orme.

The mantel by Jean Goujon sports the initials of Henri II and his queen, Catherine de Medici.

The interlocking Cs of Catherine make mischief by forming the letter D of  her rival, Diane.

Off one side of Diane's room was Catherine de Medici's study, for 

following Henri II's death, Catherine claimed Chenonceau for herself. Though she was not beautiful like Diane, her fine intelligence was well-served by her patience.  Once a widow, she  put into place her own political vision through the reigns of three of her sons and left a powerful mark as one of the most important patrons of the arts known to France. 

It was in this octagonal cabinet that she worked as Regent.

She was far from being a dull girl and knew all about the importance of revelry as well.

 For this purpose, and as a way of outdoing her husband's mistress, she had an immense

 ball room constructed on the bridge Diane built over the River Cher.

Catherine was Dame numéro 3.

Catherine de Medici's library. The Italian style coffered oak ceiling dates to 1525 is

sculpted with keys and retains the initiales T-B-K in reference to the Bohain family.

A nice place to work...

with view on the Cher.

Of course, Catherine had to sleep too. Would you like to see her room?