high tech desk from 1781 by David Roentgen
I have not yet been able to pop over to Versailles to see the design exhibit that is showing until February 22, but I will Soon!
In case you haven't seen it either, I've found this two minute video to be a beautiul demontration of the architecture and efficency of a very fine 18th century desk. A demo that would be silent if not for the doors and drawers and other movable parts that click and slide crisply into position at the biding of gloved hands. The desk is by the German cabinetmaker, master of marquetry and mechanisms, David Roentgen, who worked a great deal for the French court.
This is just a foretaste of the exhibit 18th Century aux sources du Design at Versailles where works of decorative art are taken out of context to be appreciated as museographical specimens - jewels on pedestals - but as often as possible no longer monolithic and static. Instead they are up for analysis and finally reveal their proud secrets through a play of mirrors, neon lighting and documentary films.
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More than one leg to stand on... and the etymological source of "design."
For me, the French word dessein has always been the equivilant of design,
but it is the English expression (derived from the French in the 16th century) that is used today to get across in a flash the more modern conception of the not so recent idea,
The idea, namely, that there is a skilled author and craftsman behind the desirable designed object and that that object contains a quality of innovation, of being up-to-date. That is an aspect that is hard to grasp when looking back through history. When it is done, it is often with condescension.
Remember, no one who was interested in decoration in the 18th century wanted to hang on to Grandfather's old furniture. Antiques were from the antique world - Greece and Rome.
but it is the English expression (derived from the French in the 16th century) that is used today to get across in a flash the more modern conception of the not so recent idea,
The idea, namely, that there is a skilled author and craftsman behind the desirable designed object and that that object contains a quality of innovation, of being up-to-date. That is an aspect that is hard to grasp when looking back through history. When it is done, it is often with condescension.
Remember, no one who was interested in decoration in the 18th century wanted to hang on to Grandfather's old furniture. Antiques were from the antique world - Greece and Rome.
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| Photo RMN-Grand Palais Château de Versailles/Christophe Fouin Commode André-Charles Boulle, 1708 |
Architect Jean Nouvel was invited to provide his own modern point of view with
commentaries that punctuate the exhibit.
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| screen cap from Hack King's Design, a design contest associated with the exhibit |
So often, the ancients and the moderns are in opposing camps.
Today's designers should be able to study these ancient constructions differently -
with the very definition of Respect =
to look back at something to better consider what is in the present.
for more on the exhibit see: château de Versailles
another video: Louis XV's desk , here
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