Showing posts with label Rubelli. Show all posts
Showing posts with label Rubelli. Show all posts

Tuesday, August 26, 2014

Rubelli and Moroso


photo: Rubelli
Last year, the Musée des Tissus et des Arts décoratifs of Lyon, hosted the exhibit  Lo sguardo laterale /A sideways glance - Moroso and exploration in decorative arts and design. The event show-cased two creative Italian firms:  furniture maker, Moroso and weaver, Rubelli. 

photo: Rubelli
Very seductive in itself -
this 18th century Philippe de Lasalle textile document was chosen from the Lyon museum archives


photo: Rubelli

to be part the upholstery project.
 The element of fun in Rubelli's recreation of this design is in the ground of the fabric. Those graphic squares are a woven representation of the point paper used for the technical drawing that is usually seen only by the manufacturer. The design is brought into the 21st century with the discreet modernity and a sort of 'textilian' inside joke!


photo: Rubelli
chair design Patricia Urquiola
photo: Rubelli

The fabric was made on a warp of 9600 fine yarns of organzine silk woven with none less than 12 wefts - 11 of viscose  and 1 metallic yarn. The Italian weaver explains, "... 50/60 wefts per centimetre are normally used for a rich fabric, as many as 180 were used for this precious brocade."




Thursday, September 26, 2013

Franck Sorbier's Silken Voyage in Time

© all photos Piero Biasion
Rubelli's Jacquard Tricorno

There has been a lot of talk about the historicizing designs of the19th century due to the Folie Textile exhibit,
but we've been repeating that trait ever since - just not exclusively. Franck Sorbier has taken historic period silks from the collections of Rubelli and Tassinari et Chatel to create a modern-romantic, 21st century Haute Couture collection Winter 2013-14.


Tassinari et Chatel fabric, Les Chimères 


Tassinari et Chatel, Argentan 


the back


Who made this damask?


Tassinari et Chatel, Cernushi 





Giotto coat et longue bustier gown Duccio in Rubelli's Tricorno 

© Photos Piero Biasion